One is total chaos. The other is absolute order.
And we were interested in seeing how little change
it takes to move from one state to the other state.
This also reminded us of two
very different pictorial traditions.
One is the altar tablets of the 15th century,
and the other is about 100 years ago,
Malevich's abstract compositions.
So I'm just going to take you to a video.
To give you a sense of scale,
the largest panel is about two meters high.
That's about this much.
And the smallest one is an A4.
So a viewer enters the space,
and they snap to attention.
And after a while, if the viewer continues
to remain in the space,
the panels will sort of become immune
to the presence of the viewer
and become lax and autonomous again,
until they sort of sense a presence
in the room or a movement,
when they will again snap to attention.
(Laughter)